My current research centers on reproductive art, particularly in the United States. Since the mid-nineteenth century, mass production (and thus lower prices) has made it possible for a large number of people to have art, or at least reproductions of art, in their homes. In analyzing these works I try to understand why an image or type of art, especially those that became most popular, appealed to contemporary viewers. After publishing several articles about chromolithographs, I am now writing about the cast plaster sculptures of John Rogers and about the work of Thomas Kinkade.
The 20th Century
American Art
History of Printmaking
Intoduction to Western Art
Methodology