Professor Faleschini Lerner holds a Laurea in Modern Languages and Literatures (Russian and English) from the Catholic University of Milan, and a MA and PhD in Italian from the University of Pennsylvania. Before becoming Assistant Professor of Italian in 2007, she served as visiting faculty at the College for three years. In 2011-2012, she was a Mellon Regional Fellow at the University of Pennsylvania's Penn Humanities Forum on "Adaptations."
Professor Faleschini Lerner's research interests include representations of history in film and literature, inter-art criticism, women's and gender studies and theory, motherhood studies, Mediterranean studies, and the literature and cinema of migration. Her first book, Carlo Levi's Visual Poetics: The Painter as Writer, was published by Palgrave Macmillan in 2012. She is the co-editor, with Maria Elena D'Amelio (University of the Republic of San Marino) of Italian Motherhood on Screen (2017). She has also published several articles and book chapters on Italian cinema and twentieth-century Italian literature and critical theory. Her current research project is a book-length study of contemporary Italian migration cinema.
In Fall 2014, Professor Faleschini Lerner was Visiting Scholar at the University of Pennsylvania, where she taught a seminar on the representation of World War I in Italian literature, cinema, and the arts. At F&M, she teaches all levels of Italian language and has developed new courses in Italian cinema and literature, including "Italian Contemporary Cinema," "Italy and the Mediterranean," "Italian literature and the visual arts," "Italian Urban Cultures," and "Dante in Italian Culture."
She also contributes to the programs in Comparative Literary Studies and Women's Gender, and Sexuality Studies.
Professor Faleschini Lerner has created and directs, together with Professor Scott Lerner, the F&M in Tuscany Summer Program.
BOOKS AND EDITED VOLUMES
Italian Motherhood on Screen. Edited with Maria Elena D'Amelio. New York and London: Palgrave Macmillan, 2017. (Forthcoming)
“Sogno, memoria e storia: la Roma di Carlo Levi e di Federico Fellini.” Poetiche. Rivista di letteratura italiana 17.1 (2015): 107-139.
“Il fascino dell'altra: Le straniere nel cinema italiano.” Storie in divenire: le donne nel cinema italiano. Eds. Lucia Cardone and Cristina Jandelli. Special issue of Quaderni del CSCI 11 (2015): 204-209.
"Ksenia Rappoport and Transnational Stardom in Contemporary Cinema." Journal of Italian Media and Cinema Studies 1.1 (2013): 7-20.
“From the Other Side of the Mediterranean: Hospitality in Italian Migration Cinema.” California Italian Studies 1.1 (2010): 294-9.
“Francesco Rosi’s Cristo si è fermato a Eboli: Toward a Cinema of Painting.” Italica 86.2 (2009): 272-292.
“Carlo Levi’s New Humanism.” Annali d’italianistica 26 (2008): 283-97.
“Visconti’s Senso: The Art of History.” Forum Italicum 41.2 (2007): 342-58.
"Liquid Maternity in Italian Migration Cinema," Italian Motherhood on Screen. Eds. Maria Elena D'Amelio and Giovanna Faleschini Lerner. New York and London: Palgrave Macmillan, 2017. (Forthcoming)
"Introduction" (co-authored with Maria Elena D'Amelio), Italian Motherhood on Screen. Eds. Maria Elena D'Amelio and Giovanna Faleschini Lerner. New York and London: Palgrave Macmillan, 2017. (Forthcoming)
“Forme di ospitalità urbana nel cinema delle donne: Marina Spada, Anna Bernasconi e Giulia Ciniselli,” Filmare il femminismo. Studi sulle donne nel cinema e nei media. Eds. Lucia Cardone and Sara Filippelli. Pisa: ETS, 2015. 141-150.
"Contemporaneità and Ecological Thinking in Carlo Levi's Writing." Thinking Italian Animals: Human and Posthuman in Modern Italian Fiction and Film. Eds. Elena Past and Deborah Amberson. New York and London: Palgrave Macmillan, 2014. 197-214.
"Il cinema come strumento d'incontro: Vittorio Moroni e il nuovo documentario italiano." Zoom "d'oltreoceano": istantanee sui registi italiani e sull'Italia. Eds. Simone Dubrovic and Daniela De Pau. Manziana: Vecchiarelli, 2010. 319-344.
“Ending ‘ventriloquistic’ discourses and creating a dialogue of difference: Lettere dal Sahara and Le ferie di Licu.” From Terrone to Extra-Comunitario: The New Racism in Contemporary Italian Cinema. Ed. Grace Russo Bullaro. Leicester, UK: Troubador Publishing (Italian Studies Series), 2010. 366-390.
“Carlo Levi’s L’orologio: A Revolution in Words and Images.” Creative Interventions: The Role of the Intellectual in Contemporary Italian Culture. Eds. Eugenio Bolongaro, Rita Gagliano, and Mark Epstein. Cambridge, UK: Cambridge Scholars Press, 2009. 63-91.
“La stanza degli orologi: Storia e memoria in Rinascimento privato di Maria Bellonci.” Narrare la storia. Dal documento al racconto. Ed. Fondazione Bellonci. Milan: Mondadori, 2006. 113-124.
“Wilma Labate.” Storie in divenire: le donne nel cinema italiano. Eds. Lucia Cardone and Cristina Jandelli. Special issue of Quaderni del CSCI 11 (2015): 294-95.
“Reading Carlo Levi Beyond Eboli: Joseph Farrell’s The Voices of Carlo Levi and Levi’s Fear of Freedom.” Forum Italicum 42.2 (Fall 2008): 416-21.
Calabretta-Sajder, Ryan. Divergenze in celluloide. Colore, migrazione e identità nei film gay di Ferzan Özpetek. Milano: Mimesis, 2016. Pp. 246. Annali d'italianistica 35 (2017): 521-24.
Marini, Alessandro. Bertolucci: Il cinema, la letteratura, il caso Prima della Rivoluzione. Alessandria: Falsopiano, 2012. Pp. 267. Annali d’italianistica 32 (2014): 690-692.
De Franceschi, Leonardo, ed. L’Africa in Italia. Per una controstoria postcoloniale del cinema italiano. Roma: Aracne, 2013. Pp. 512. Quaderni del CSCI 9 (2013): 313.
Bartalesi-Graf, Daniela. Voci dal sud: A journey to Southern Italy with Carlo Levi and his Christ stopped at Eboli. New Haven and London: Yale University Press, 2011. Pp. 419. Annali d’italianistica 29 (2011): 545-547.
Binetti, Vincenzo. Città nomadi: Esodo e autonomia nella metropoli contemporanea. Verona: Ombre corte, 2008. Pp. 140. Annali d’italianistica 28 (2010): 582-584.
Bruck, Edith. Letter to My Mother. Ed. Gabriella Romani. Trans. Brenda Webster. New York: The Modern Language Association of America, 2006. Pp. 250. Forum Italicum 41.2 (Fall 2007): 536-7.
"Liquid Maternity in Italian Migration Cinema," AAIS/CSIS International Conference, Ohio State University, Columbus, OH, April 22, 2017.
"Migrant bodies, migrant voices in Mediterranea and Là bas. Educazione criminale," AATI International Conference, Universities of Naples "Federico II" and "L'Orientale," June 25, 2016.
“Exorcising Fear Through Laughter: Italian Film Comedy and Immigration,” Bridges Across Cultures, International Conference on Arts and Humanities, Florence, ISI International Center, July 4, 2015.
“Laughing With a Difference: Italian Film Comedy and Immigration,” AAIS XXXV Annual Conference, University of Colorado at Boulder, March 28, 2015.
“Immigrant Women in Italian Cinema,” Gendered Others, Roundtable of the Gender, Politics, and Society Research Group, AAIS XXXV Annual Conference, University of Colorado at Boulder, March 27, 2015.
“Spazi urbani di ospitalità nel cinema delle donne,” FASCinA 2nd Annual International Conference, University of Sassari, October 23, 2014.
"Maternity Blues: Mothers as Monsters, Mothers as Victims." NEMLA XLV Annual Conference, Harrisburg, PA, April 4, 2014.
“Landscapes of Alienation in Contemporary Italian Cinema,” Society for Cinema and Media Studies Annual Conference, Seattle, WA, March 19, 2014.
“Specters of the Maternal in Italian Women’s Cinema,” AAIS XXXIII Annual Conference, University of Oregon, Eugene, OR, April 11, 2013.
“Esplorazioni dell’altrove urbano nel nuovo documentario italiano.” “Echi d’oltremare” International Conference, Rome, June 16, 2012.
"Ksenia Rappoport and Transnational Stardom in Contemporary Cinema,” AAIS XXXII Annual Conference, College of Charleston, Charleston, SC, May 3, 2012.
“Spaces of Adaptation in Italian Documentary Filmmaking,” Penn Humanities Forum “Adaptations” Faculty Seminar, University of Pennsylvania, Philadelphia, PA, October 18, 2011.
"Mediterranean Mirrors: Otherness and Selfhood in Mohsen Melliti's Io, l'altro." "The Mediterranean in Italian Culture" international conference. University of Venice and University of Udine, May 3-4, 2010.
"Inhospitable Landscapes: Il vento fa il suo giro e La giusta distanza." AAIS XXX Annual Conference, University of Michigan, Ann Arbor, April 22-25, 2010.
“Landscapes of Alienation in Contemporary Italian Cinema.” 41st NeMLA Annual Conference, McGill University, Montreal, Quebec, April 10, 2010.
"The Other as Mirror in Melliti’s Io, l’altro.” XXIX AAIS Annual Conference, St John’s College, New York, May 9, 2009.
“Gli sconfinamenti della narrativa di Jarmila Ockayová.” 40th NeMLA Annual Conference, Boston University, February 26, 2009.
“Resisting Modernity in the Mediterranean: Carlo Levi’s Christ Stopped at Eboli.” X Modernist Studies Association Annual Conference, Vanderbilt University, November 16, 2008.
“Contemporaneità and Ecological Thinking in Carlo Levi’s Writing.” Sixty-first Kentucky Foreign Language Conference, University of Kentucky, April 18, 2008.
“Mediterranean Crossings in Contemporary Italian Cinema.” “Mediterranean Journeys: From Odysseus to Migrant Workers,” Central Pennsylvania Consortium Mediterranean Studies Colloquium, Franklin & Marshall College, April 12, 2008.
“The Ethics of Hospitality in Marco Tullio Giordana’s Quando sei nato non puoi più nasconderti.” XXVII AAIS Annual Conference, Colorado College, May 5, 2007.
“When the dissertation is not your only child: going through graduate school with children.” “Women and Work,” Central Pennsylvania Consortium Women’s Studies Conference, Franklin & Marshall College, March 3, 2007.
“The Abject in Sergio Castellitti’s Film and Margaret Mazzantini’s Novel, Non ti muovere.” Film/Literature Annual Conference, Towson, MD, November 5, 2006.
“La Milano sovversiva di Aldo Nove e Luca Doninelli.” XXVI AAIS Annual Conference, Genoa, May 26, 2006.
“Carlo Levi’s L’Orologio: A Revolution in Words and Images.” 37th NEMLA Annual Conference, Temple University, March 3, 2006.
“The Room of the Clocks: History and Memory in Maria Bellonci’s Rinascimento privato.” XXIII AAIS Annual Conference, Georgetown University, March 14, 2003.
“La Stanza degli orologi: I segni del tempo in Rinascimento privato di Maria Bellonci.” “Narrare la storia: dal documento al racconto” International Conference, Teatro Bibiena, Mantua, November 22, 2002.
“Light Symbols, Heavy History: Italo Calvino’s Ultimo viene il corvo,” with Meg Greenberg, Elena Past, Nicoletta Marini Maio. XXI AAIS, University of Pennsylvania, April 19, 2001.
"Innovations in Language Pedagogy: Confronti. A Cross-Cultural Approach to Teaching Italian,” with Kathryn McMahon, Nicoletta Marini Maio, Meg Greenberg. XXI AAIS Annual Conference, University of Pennsylvania, April 21, 2001.
INVITED LECTURES and WORKSHOPS
"The Changing Face of Italy in Contemporary Italian Cinema." Boston University Padova, November 30, 2015. (Skype lecture)
“Screening the New Face of Italy.” Dickinson College, March 24, 2015.
“Sogno, memoria e storia: la Roma di Carlo Levi e di Federico Fellini.” University of Bologna, Department of Italian Studies and Classical Philology, October 30, 2014.
“Il cinema della migrazione: dimensioni del multiculturalismo italiano.” St. Joseph’s University, Pedagogical Seminar, April 20, 2013.
“Pride and prejudice in Italian multicultural society: Carlo Mazzacurati’s film La giusta distanza.” Seton Hall University, Charles and Joan Alberto Italian Studies Institute, December 1, 2009.
“When Christ Stops at Eboli: The Experience of Repatriated Italian Emigrants According to Carlo Levi.” Lancaster Italian Cultural Society, Millersville University, November 12, 2006.
Elementary italian I (ITA 101)
Elementary Italian II (ITA 102)
Intermediate Italian I (ITA 201)
Intermediate Italian II (ITA 202)
Intensive Intermediate Italian (ITA 275)
Cultural and Literary Studies Courses (300- and 400-level)
Women and Gender in Modern Italian Literature and Cinema
Italian Literature and the Visual Arts
Italy and the Mediterranean
Contemporary Italian Fiction
From the Risorgimento to the Present: Italian Literary and Cultural Studies I
Film Studies Courses
Italian Cinema and the Arts
History of Italian Film
General Education Courses
Mediterranean Migrations (CNX2)