Research Interests
Contemporary Performance, Devised Theatre, Improvisation, Ensemble, Partnership, Politics of Collaboration, Processes of Directing, Gender and Artistic Leadership, Playfulness, Slowness, Smallness, Fun, Yurts, Barns, Cabins, Fields, Trees, etc.
Teaching
- TDF/LIT 110: Foundations of World Theatre
- TDF 186: Acting I
- TDF 2xx: Advanced Topics in Acting (Postmodern Performance, Improvisation)
- TDF 2xx: Collaborative Arts
- CNX 235: Two to Tango: What is Partnership?
- TDF 270: Theatre in the Digital Age
- TDF/LIT/WGSS 272: Women in Theatre
- TDF/LIT 277: Acting Rebellions: Histories of 20th/21st Century Acting Methodologies
- TDF 385: Production Studio, Faculty Directed Performance: Three Sisters (2015), One Man Two Guvnors (2016), Arcadia (2017), Mr. Burns: A Post-Electric Play (2017), Anonymous (2019), The Seagull (2020), Head Over Heels: The Musical (2020)
- TDF 495: Senior Seminar
Education
PhD, Drama. Stanford University
BA, Theatre and Literature. Reed College
Scholarship